Photos: NERVOSA Live in Phoenix, Ariz.
Here are some photos I took at the Nervosa show in Phoenix on Sunday. I also had the opportunity to interview singer/bassist Fernanda Lira, which can be seen here.
MEGADETH, Suicidal Tendencies, Children of Bodom & Havok Live in Phoenix, Ariz. – 2/27/16
This time last year, the future of Megadeth was uncertain to the public. Guitarist Chris Broderick and drummer Shawn Drover had left the band within hours of each other in November. Bandleader, lead singer, and guitarist Dave Mustaine and bassist David Ellefson were auditioning replacements.
There were rumors of a Rust in Peace (1990) lineup reunion. It was attempted, but it didn’t happen.
Angra guitarist Kiko Loureiro and Lamb of God drummer Chris Adler were officially announced as Megadeth’s newest members in Spring 2015.
The band’s latest effort, Dystopia, was released this January. Widely acclaimed, it hit #3 on the Billboard Top 200. It beat Adele and Justin Bieber for the #1 iTunes spot in Canada and has been regarded by many as Megadeth’s finest album in decades (or at least since Endgame).
Fresh on the heels of Dystopia‘s success, Megadeth set out on the killing road with a killer set of supporting bands in tow: legendary crossover punks Suicidal Tendencies, Finnish melodeath virtuosos Children of Bodom, and emerging Colorado thrashers, Havok. I am a fan of all the bands on the bill and had seen them all previously, which made me particularly excited for this show.
Havok opened with four songs. Among those were “D.O.A.” and “Give Me Liberty… Or Give Me Death”. On my side of the pit, you couldn’t hear David Sanchez’s vocals very well, but the band put on a hell of a show, as was expected of them. Considering I had seen them play to packed smaller venues, I was surprised that more people in the crowd did not know who they were. I was also slightly disappointed that they only played four songs. But even though most of the crowd seemed unfamiliar with the band at first, Havok was given hearty applause once they finished their set.
Children of Bodom played another short set, which included songs from their newest album, I Worship Chaos (2015), and classic material like “Hate Me” and “Angels Don’t Kill.” The guitars were nearly inaudible on my side, which saddened me, because I really admire Alexi Laiho’s guitar work. The sound levels were fixed about halfway through their set. Regardless, Bodom shredded.
Up to this point, the crowd was mostly calm in my area, with a few people moshing and one girl crowdsurfing during Bodom’s set. But once Suicidal took the stage, all hell broke loose.
Suicidal Tendencies opened with a ripping version of “You Can’t Bring Me Down,” and singer Mike Muir was running and jumping all over the stage throughout their whole set. None other than Slayer’s Dave Lombardo was behind S.T.’s kit. Their dynamic seven-song set was filled with hits like “Institutionalized” and “I Saw Your Mommy”. The crowd was going wild, with plenty of people headbanging, moshing, and crowd-surfing. Even though they had small rigs (the guitarists only had half-stacks), they were the best-sounding band of the night so far, and definitely the most energetic.
Next up was the band everyone was waiting for.
Suicidal quickly tore down their equipment, and a curtain dropped, revealing the massive futuristic apparatus Megadeth would be playing in front of. It was nice surprise to see Mustaine’s guitar tech, Willie Gee, setting up. From what I knew, he had retired last year.
About twenty minutes later, the lights went down. An intro animation of Megadeth’s logo danced on the video screen as “Prince of Darkness” played in the background. Then, the band launched into “The Threat Is Real,” strutting onstage as lights flashed and smoke machines went off.
Dave Mustaine may not be the most flamboyant frontman in metal, but he strode all over the stage throughout the band’s set, bobbing his fiery mane up and down while his fingers danced all over the fretboard. His voice sounded in particularly great condition tonight. Even though the band was tuned down to D to accommodate his vocals, it gave the songs an added darkness.
David Ellefson and Kiko Loureiro also walked up and down the stage as they played, heading back to their microphones in time to sing backing vocals. Even as they sang, they smiled and interacted with the crowd, throwing us picks in between songs. To say Kiko nailed Marty Friedman’s solos would be an understatement.
Chris Adler was situated atop a massive drum riser embedded into their futuristic stage prop. I couldn’t see his face much during the actual show, but the pictures I took show him smiling.
Their setlist spanned 30 years; they played material off most of their albums from Peace Sells…But Who’s Buying? (1986) to Dystopia (2016). It was awesome to hear some deeper cuts from Rust In Peace like “Dawn Patrol” and “Poison Was The Cure,” as well as their hits like “A Tout Le Monde”.
What struck me as odd was that the Phoenix crowd did not seem to know the “Megadeth, Megadeth, aguante Megadeth” chant that Argentina had pioneered for “Symphony Of Destruction”. Not only do the Argentinian crowds chant it, but so do the crowds in other Latin countries. Fellow Latino Kiko Loureiro came to my side of the venue and saw me mouthing those words, then he smiled at me.
As the four members united at center stage to take their final bow and throw picks and wristbands into the audience, my only thought was, “Why did it have to end?”
I had seen Megadeth before. Not once, but three times, and those three shows paled in comparison to this one. It was like I had seen a different band, and in a sense, I had. All the members seemed legitimately happy to belong to the same group, and you could feel their radiance beaming from the stage.
Catch this tour if you can. You won’t regret it.
Megadeth Setlist:
- The Threat Is Real
- Hangar 18
- Kingmaker
- Wake Up Dead
- In My Darkest Hour
- Sweating Bullets
- Dystopia
- Dawn Patrol
- Poison Was The Cure
- She-Wolf
- Trust
- Skin O’ My Teeth
- Fatal Illusion
- A Tout Le Monde
- Symphony Of Destruction
- Peace Sells
- Holy Wars…The Punishment Due
Other setlists: Suicidal Tendencies, Children of Bodom
Why the Grammys Are Clueless About Metal
Unless you’ve been away from the headbanging world, you are aware that Halestorm won the 2013 Grammy for “Best Hard Rock/Metal Performance”. This win is historic in the sense that singer Lzzy Hale is the first female singer to ever be nominated for that category and win.
By all means, congrats to Halestorm. They are a hard working band and “Love Bites (So Do I)” is a great song.
But once again, this decision reflects the cluelessness of the National Academy of Recording Arts and Sciences (NARAS), the head of the Grammys, when it comes to metal.
The hard rock/metal category has undergone several changes.
The first and only “Best Hard Rock/Metal Performance Vocal or Instrumental” Grammy was awarded in 1989. It was expected that Metallica would win. Their album “…And Justice For All” had spawned the hit “One” and was their best-selling album to date.
But non-metal band Jethro Tull won.
Jethro Tull released an ad in Billboard Magazine showing a picture of a flute and the line, “The flute is a real, heavy metal instrument!” Subsequent editions of Metallica’s “…And Justice For All” contained a sticker reading “Grammy Award LOSERS.”
Metallica: 1989 Grammy award LOSERS. Photo courtesy frenk tatranky on Flickr.
Entertainment Weekly called it one of the biggest upsets in Grammy history.
Due to criticism of the academy, separate hard rock and metal categories were created (though the two genres were recombined into one category for the 2012 awards.)
Here are some more examples of the board’s knowledge:
- Metallica won the 1991 metal Grammy for their cover of Queen’s “Stone Cold Crazy,” though Queen itself was never nominated.
- Motörhead won the 2005 metal Grammy for a cover of Metallica’s “Whiplash”.
- The 2009 metal Grammy was awarded to Judas Priest for a live version of “Dissident Aggressor,” a song originally released in 1977.
Now it’s 2013, and though the board appears to have made progress, there are still changes to be made.
Up against Halestorm were Iron Maiden, Megadeth, Anthrax, Marilyn Manson and Lamb Of God.
Iron Maiden has one Grammy to their legendary name. They are often credited as one of the pioneers of the New Wave of British Heavy Metal and are regarded as one of the most successful metal bands of all time.
Anthrax and Megadeth are two of the Big Four of Thrash Metal, which were credited with popularizing the genre. Neither have won a Grammy. Megadeth holds the record for the most Grammy nominations (eleven) in the metal category without a win.
The hard rock/metal category is the still the only one dedicated to this art form and the award is not televised. Eddie Trunk and other metal journalists have complained about the outright disrespect for these musical genres by the board.
Though the talent of all this year’s nominees is unmistakable, Halestorm’s win is reminiscent of actions by the Rock and Roll Hall of Fame. Winners and inductees are not chosen according to a band’s record sales or influence, but according to politics.
While KISS, Deep Purple (“Smoke on the Water”), Judas Priest, Iron Maiden, and countless other influential rock and metal bands have yet to be inducted, newer bands like Guns N’ Roses and non-rock acts like Madonna are in there.
With all due respect to Halestorm, the proponents of “Music’s Biggest Night” have a lot of explaining to do.
Doro Pesch Interview Transcript- Part 2
Part two of TBOS’s interview with Doro Pesch. Here, she tells about her experiences at Wacken Open Air Festival, her first tour with Judas Priest, and receiving health advice from Blackie Lawless of W.A.S.P. Part 1 is here.
Doro Pesch Performing in 2008. Photo credit: liveratum on Flickr.
The Blog of Shredding: So you were the first woman to ever play at Donington (Monsters of Rock) and Wacken (festivals). Can you tell us about that?
Doro Pesch: I didn’t realize it at the time, and for me it was just like so amazing and so overwhelming. At the Donington Monsters of Rock Festival, it was actually—it was the biggest (metal festival). Back then, it was like unbelievable, and when we heard that we would play on this festival. And I tell you, I guess I was the happiest girl on earth, and that was actually when I quit my job.
Actually, I heard that we would go on Judas Priest’s tour right after the festival and then we would play this big festival in England. Then actually I quit my job as a graphic artist, and I thought, “I wanna try it”.
Then we played there, and it was 120,000 people. And the stage was very high. They had a lot of stairs to go up, a lot of steps. I tell you, my knees, they were like pudding. I walked up the steps and I went (surprised noise) and all the guys in the band felt the same. It was so amazing and the fans were in so (sic) good spirits and so into it, singing along, everybody headbanging. It looked like 120,000 people would headbang at the same time. Back then, there weren’t any iPhones, but in my memory, it was one of the greatest memories.
Then Wacken (Open Air Festival)—I’ve played there eight to nine times. I was there the first time in 1993, and it was a little tiny village. And it was actually when metal wasn’t doing well. It was in ’93, when grunge was so big. And there’s two fans doing a metal festival. I’m like, “Really? That’s so cool!” And I said, “I want to be part of it.” And we get there, and we couldn’t find it because it was such a tiny village, so we asked some farmers, and they actually brought us there on their tractors. It was so funny.
These two fans, it was like metal came out of their hearts. It was great. There was maybe 2,000 people there. But the huge stage, the huge P.A., so probably, I mean 50,000 people could have been easily there to listen. But yeah, the first time, we played with 2,000 maybe.
And then four years later, in ’98 we came back, and I thought, “Another little metal festival with the die-hard fans,” and now there were already 35,000. We thought, “wow!” And then every two, three, four years I played there again, and every time, it was the 20, 30, more thousand people, and now I think it’s like 80,000 people. Yeah, that’s what the police allows.
But I think even more than 50,000 people could be more on the field. But it’s always a big honor to play there and metalheads from all over the world, they’re always, you know, going to Wacken. Many people from the States, Australia, Brazil, like from all over the world. It’s so unbelievable and all the bands, all the musicians feel like “wow,” you know? It’s definitely a great honor to play there.
And you can always show the best show, because Wacken—the guys there—are so supportive. When you want to do something outrageous or something super-special, they always support you in that.
You can always expect the fans to see like a totally unique show, and with the best pyrotechnics and fireworks and light show and state-of-the-art ideas. So that’s what makes Wacken so extra-special.
The Blog of Shredding: You’ve opened for Megadeth and other legends such as the Scorpions. Could you tell us more about that?
Doro Pesch: Oh, yes, yes. I’d love to. My very first big tour was actually in ’86 with my favorite band, Judas Priest. And like I told you before, that’s actually when I quit my job.
It was unbelievable. I got the phone call from my manager at the place I worked. It was actually totally forbidden to take phone calls there, and then my boss, he said, “Hey, little girl. It better be important!” And I’m like (stutters) “Yeah, I hope so!”
So I got on the phone and my manager said, “Hey, are you ready to quit your job?” I said, “Why?” “You’re going on tour with your favorite band.” I said, “What you mean?” “Yes. Judas Priest.”
And back then, it was—I mean, for metal, it was Maiden, Priest, Metallica. It was like-it was like bigger than life. So it was my first tour. It was packed, sold out.Back in the ‘80s, it was definitely the biggest places. Metal was so strong. It was so great to be on tour with them.
My second tour was in ’87 with Ronnie James Dio. And Ronnie James Dio is my favorite singer, and it was so fantastic, and I learned so much.
Then we wanted to go on tour in America. We did a couple of club tours and stuff, which we really did great. And then I got a phone call from the record company and from the manager that said, “Hey, you’ll never guess who you could tour with.” And I said, “Who?” They said, “Dave Mustaine and Megadeth.” And I thought, ‘OH! WOW!”
So actually, you know, we immediately canceled all the European dates because we had another tour in Europe already booked. And then we canceled all the dates. I said, “No, I wanna do it.” And then we did our first big tour in Spain.
It was great. You know, I love Megadeth. “In My Darkest Hour,” that was my favorite song. It was so great. I watched their show every night, and it was so-it was so special. So great.
Then we did many other tours, all with my favorite artists like Motörhead and the Scorpions, W.A.S.P.
It was my first big England tour, and Blackie Lawless, he was so super-nice to me. He was so cool to me because I was on tour with Judas Priest, and at the end of the tour in Scandinavia, it was this big ice hockey venue. And then everybody said, “Hey, girl, don’t walk on the ice!” And I said, “Oh, I can take it.” You know, I’m metal (laughs) and Judas Priest and it’s ok cause I was watching every day (sic) the sound check of Judas Priest. So I was walking on the ice and said, “Nah, it’s kinda cold. But it’s ok.”
So a couple of days later, we were on tour with W.A.S.P. in England, and I had pneumonia. I was so sick! And that was when I first met Blackie Lawless.
I was sitting on a staircase because there was only one dressing room. And Blackie said, “Hey, is that Doro? The singer of our support Warlock?” And I said, “Yes.” He said, “Wow! You look like you’re really sick.” And I said, “Blackie, I’m so sick, man. I don’t even know if I can do the tour. I’m so sick.”
He said, “You know what? You wait.” And then he told the band members to please give me the dressing room and said, “You know what? Lay down here on the couch. I will wake you when it’s time for you to get dressed. I will get you some great medicine.” And he got me like all this medicine and magic potions for the voice. He got me some fresh fruit juice and fresh fruit, which back in the day, was very, very difficult to get. It was, you know, in England, actually very difficult.
He got me all this medicine, magic potions, and then, he woke me up and he said, “Doro, it’s time for you to get dressed and have a great show.” And I tell you, I felt like a million bucks. I was immediately feeling so much better.
And I thought, “Wow. I will never forget.” You know, he was so nice and so kind. Then I thought, “If I ever have a support (band), I’m gonna treat them as good.”
I learned from all the great bands and artists. And I can definitely say I had a great chance to learn from the best and we played with so many bands. It was unbelievable.
I was always in Heaven. And I never thought, being a little metalhead from Germany, you know, that you could ever tour the world and tour with your favorite bands, with your favorite artists. It was such a dream come true, and it still is. I still deeply appreciate it and feel grateful for it.
To be continued…
The Blog of Shredding 