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Posts tagged “Dave Mustaine

HANK SHERMANN: DAVE MUSTAINE Did Not Allow Performance With KING DIAMOND, Talks Potential MERCYFUL FATE Reunion, Songwriting

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I was fortunate enough to interview the legendary axeman Hank Shermann (Denner/Shermann, Mercyful Fate) for our partner website Vita In Musica. We talked about the upcoming Denner/Shermann album, ‘Masters of Evil,’ a potential Mercyful Fate reunion, and playing guitar with Volbeat in 2012.

Volbeat singer Michael Poulsen had asked Shermann to play guitar during the band’s run on Gigantour in 2012. King Diamond was supposed to perform “Come to the Sabbath” with the band, but Dave Mustaine did not allow it.

King Diamond also went to Dallas when we did the Gigantour, because he was supposed to play–we did play a Mercyful Fate song–‘Come To The Sabbath’. King Diamond was coming to the show in order to sing it. But apparently, Dave Mustaine didn’t want King to be onstage and do whatever Satanic lyrics, or whatever that was all about… So, King came to the concert and he was given the–he was told that, ‘Hey King, you’re not allowed’ from Mustaine for some reason.”

The band played the intro from “Come to the Sabbath” anyway, as King sang the lyrics from the audience.

Shermann continues, “That was pretty funny. What that was all about, I don’t have a clue. I don’t know if suddenly Mustaine had gotten into God, or you know, for whatever reason [laughs]. That was pretty bizarre you know, because back in the days, they were very good friends… Megadeth were touring with Diamond in the 80s. But there’s a lot of changes in that band. But you know, they’re good guys… and I like them and they have made some really cool records over time.”

He also revealed that he has been in talks with King Diamond over a possible Mercyful Fate reunion, though nothing has been set in stone. There is still an album left on contract with Metal Blade Records.

Nothing has been talked about, specifics. But I mean, it would be a fascinating thought, and let’s all hope that it would happen, at least for the fans, because we owe everything to the fans, that we are still here to this day.”

Denner/Shermann will also be touring Europe and North America later this year.

For the entire interview, click here.

Masters of Evil‘ is due for release on June 24th via Metal Blade Records.

UPDATE (6/9/16 8:27 a.m. PST): YouTube link has been included because the Vita In Musica site is down: https://youtu.be/t5mfMqL7d5I


MEGADETH, Suicidal Tendencies, Children of Bodom & Havok Live in Phoenix, Ariz. – 2/27/16

This time last year, the future of Megadeth was uncertain to the public. Guitarist Chris Broderick and drummer Shawn Drover had left the band within hours of each other in November. Bandleader, lead singer, and guitarist Dave Mustaine and bassist David Ellefson were auditioning replacements.

There were rumors of a Rust in Peace (1990) lineup reunion. It was attempted, but it didn’t happen.

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Angra guitarist Kiko Loureiro and Lamb of God drummer Chris Adler were officially announced as Megadeth’s newest members in Spring 2015.

The band’s latest effort, Dystopia, was released this January. Widely acclaimed, it hit #3 on the Billboard Top 200. It beat Adele and Justin Bieber for the #1 iTunes spot in Canada and has been regarded by many as Megadeth’s finest album in decades (or at least since Endgame).

Fresh on the heels of Dystopia‘s success, Megadeth set out on the killing road with a killer set of supporting bands in tow: legendary crossover punks Suicidal Tendencies, Finnish melodeath virtuosos Children of Bodom, and emerging Colorado thrashers, Havok. I am a fan of all the bands on the bill and had seen them all previously, which made me particularly excited for this show.

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Havok opened with four songs. Among those were “D.O.A.” and “Give Me Liberty… Or Give Me Death”. On my side of the pit, you couldn’t hear David Sanchez’s vocals very well, but the band put on a hell of a show, as was expected of them. Considering I had seen them play to packed smaller venues, I was surprised that more people in the crowd did not know who they were. I was also slightly disappointed that they only played four songs. But even though most of the crowd seemed unfamiliar with the band at first, Havok was given hearty applause once they finished their set.

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Children of Bodom played another short set, which included songs from their newest album, I Worship Chaos (2015), and classic material like “Hate Me” and “Angels Don’t Kill.” The guitars were nearly inaudible on my side, which saddened me, because I really admire Alexi Laiho’s guitar work. The sound levels were fixed about halfway through their set. Regardless, Bodom shredded.

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Up to this point, the crowd was mostly calm in my area, with a few people moshing and one girl crowdsurfing during Bodom’s set. But once Suicidal took the stage, all hell broke loose.

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Suicidal Tendencies opened with a ripping version of “You Can’t Bring Me Down,” and singer Mike Muir was running and jumping all over the stage throughout their whole set. None other than Slayer’s Dave Lombardo was behind S.T.’s kit. Their dynamic seven-song set was filled with hits like “Institutionalized” and “I Saw Your Mommy”. The crowd was going wild, with plenty of people headbanging, moshing, and crowd-surfing. Even though they had small rigs (the guitarists only had half-stacks), they were the best-sounding band of the night so far, and definitely the most energetic.

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Next up was the band everyone was waiting for.

Suicidal quickly tore down their equipment, and a curtain dropped, revealing the massive futuristic apparatus Megadeth would be playing in front of. It was nice surprise to see Mustaine’s guitar tech, Willie Gee, setting up. From what I knew, he had retired last year.

About twenty minutes later, the lights went down. An intro animation of Megadeth’s logo danced on the video screen as “Prince of Darkness” played in the background. Then, the band launched into “The Threat Is Real,” strutting onstage as lights flashed and smoke machines went off.

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Dave Mustaine may not be the most flamboyant frontman in metal, but he strode all over the stage throughout the band’s set, bobbing his fiery mane up and down while his fingers danced all over the fretboard. His voice sounded in particularly great condition tonight. Even though the band was tuned down to D to accommodate his vocals, it gave the songs an added darkness.

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David Ellefson and Kiko Loureiro also walked up and down the stage as they played, heading back to their microphones in time to sing backing vocals. Even as they sang, they smiled and interacted with the crowd, throwing us picks in between songs. To say Kiko nailed Marty Friedman’s solos would be an understatement.

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Chris Adler was situated atop a massive drum riser embedded into their futuristic stage prop. I couldn’t see his face much during the actual show, but the pictures I took show him smiling.

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Their setlist spanned 30 years; they played material off most of their albums from Peace Sells…But Who’s Buying? (1986) to Dystopia (2016). It was awesome to hear some deeper cuts from Rust In Peace like “Dawn Patrol” and “Poison Was The Cure,” as well as their hits like “A Tout Le Monde”.

What struck me as odd was that the Phoenix crowd did not seem to know the “Megadeth, Megadeth, aguante Megadeth” chant that Argentina had pioneered for “Symphony Of Destruction”. Not only do the Argentinian crowds chant it, but so do the crowds in other Latin countries. Fellow Latino Kiko Loureiro came to my side of the venue and saw me mouthing those words, then he smiled at me.

As the four members united at center stage to take their final bow and throw picks and wristbands into the audience, my only thought was, “Why did it have to end?”

I had seen Megadeth before. Not once, but three times, and those three shows paled in comparison to this one. It was like I had seen a different band, and in a sense, I had. All the members seemed legitimately happy to belong to the same group, and you could feel their radiance beaming from the stage.

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Catch this tour if you can. You won’t regret it.

Megadeth Setlist:

  1. The Threat Is Real
  2. Hangar 18
  3. Kingmaker
  4. Wake Up Dead
  5. In My Darkest Hour
  6. Sweating Bullets
  7. Dystopia
  8. Dawn Patrol
  9. Poison Was The Cure
  10. She-Wolf
  11. Trust
  12. Skin O’ My Teeth
  13. Fatal Illusion
  14. A Tout Le Monde
  15. Symphony Of Destruction
  16. Peace Sells
  17. Holy Wars…The Punishment Due

Other setlists: Suicidal Tendencies, Children of Bodom

 


New Music Videos from MEGADETH and GHOST B.C.

Megadeth released the music video for the single “Super Collider” today (we reviewed the entire album here). The plot revolves around two high school kids in love, and Dave Mustaine plays the girl’s angry father who does not let them be together. We see David Ellefson play a science teacher, Chris Broderick play another kid’s father, and Shawn Drover play a school janitor. “Elysian Fields High School 10th Anniversary Reunion” makes us wonder… is a “Youthanasia” anniversary tour in the works?

Ghost B.C. released the music video for “Monstrance Clock,” and we at TBOS must say it’s pretty cool. It was filmed on location at two of the band’s shows in Los Angeles and New York City. We get to see Ghost in their live element, which is where they truly shine. Plus, it’s a nice departure from the “Year Zero” video, where the band barely made an appearance.

Feel free to share your opinions below.


Funny Metal Videos: MEGADETH Warehouse and Cooking With PHIL ANSELMO

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Earlier today, Funny or Die released this video of Dave Mustaine promoting the fictional “Megadeth Warehouse” and their latest album, “Super Collider” (which we reviewed here). Kenny G makes an appearance, and it’s pretty hilarious.

Metal Hammer also brought our attention to this animated “Cooking With Phil Anselmo” video. The music was done by Pantera tribute band Good Friends & A Bottle of Whiskey and would make the Cowboys From Hell proud.

Hope these videos brightened your day, as TBOS plans to bring up a more serious topic (moshing being outlawed) in the near future.


Album Review: MEGADETH “Super Collider” Deluxe Edition (2013)

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Before I begin this review, let me make my biases known.

I am a major-league Megadeth fan. I am a card-carrying member of the Megadeth Cyber Army. If you look at the “about” page of this blog, you will see me happily nestled between the two MegaDaves, singer/guitarist Dave Mustaine and bassist David Ellefson.

Naturally, I was very excited about the release of the band’s latest effort, Super Collider.

With Super Collider, you can’t just say something like, “It’s Cryptic Writings-meets-Th1rt3en” and be accurate. SC is truly a culmination of all things ‘Deth, with some flashbacks to their thrashier days, elements of their more melodic and experimental albums like Risk, and the newer 2000s material. If you were expecting Rust in Peace II, you will be disappointed. But if you approach it with an open mind, you might be pleased.

SC kicks off with “Kingmaker”, which was released as a single approximately two weeks ago. It renewed people’s faith in Super Collider after so many had been disillusioned by the previous single, the 70s-road-trip-rock title track. “Kingmaker” is like a cross between Black Sabbath’s “Children of the Grave” and ‘Deth’s own “Sweating Bullets,” a tribute to the band’s own musical heritage while adding the thrash elements Megadeth have become known for.

Then comes the infamous “Super Collider,” in a very stark contrast to the opening song. For those who haven’t heard it, it sounds more like Foghat than Megadeth. It’s a middle-of-the-road hard rock song that doesn’t really go anywhere. Mustaine revealed that the band filmed a humorous music video to promote the lead single, and perhaps his intention behind the song will be known once the video is released.

The title “Burn!” sounds like Mustaine’s yell in “Take No Prisoners,” but the song itself is an average rocker, with a chorus that feels more at home in a KISS, Motley Crüe, or even a disco song (“Burn, baby burn… ’cause it feels so good”).

“Built For War” is definitely the worst song on the album, maybe even Megadeth’s worst song, period. Meme Theater posted a review of the album right after it leaked, and their critique of this track says it all:

“…it feels like there was Megadeth playing a toned down Megadeth song in one room while Dave Mustaine sings an unrelated melody and lyrical arrangement in another room, while a 2ND DAVE MUSTAINE stood in yet another separate room in said ‘Built for War!’ at random times, as bored as possible…”

“Off the Edge” has a very nice, dark intro and segues into an average metal song but with sub-par lyrics, at least for Megadeth (“Lately, it seems the world is going crazy / It won’t be long till they replace me / And nothing seems to faze me, anymore”). Think of “Fast Lane” from Th1rt3en, but with worse lyrics.

“Dance in the Rain” is the turning point of this album. David Draiman (Disturbed, Device) lends songwriting and guest vocals to this amazing song, which is one of Megadeth’s best since Youthanasia. The song is about American politicians/government taking advantage of We The People as we struggle to make ends meet. It reminds me why I love Megadeth in the first place: chugging guitar rhythms, Shawn Drover’s fast feet at the double bass drums, Chris Broderick’s wailing leads perfectly complementing Dave Mustaine’s eternally stark lyrics. The song starts off slow and progressively speeds up, eventually ripping into a blazing riff and brutal drums backing Draiman’s powerhouse vocals. It would be right at home on United Abominations or Endgame.

“Beginning of Sorrow” is another good , somewhat slow song with heavy lyrical content, about a neglected child. Mustaine’s daughter Electra contributes some backing vocals.

“The Blackest Crow” is one of the most anticipated songs on this album, since video previews on the band’s website showed instruments like a banjo, fiddle, and slide guitar being used. There were also talks of country legend Willie Nelson guesting on this track. Though Nelson did not appear, the song does its hype justice, serving as a strange but pleasant bridge between bluegrass and heavy metal.

Mustaine wrote “Forget To Remember” about his mother-in-law, who has Alzheimer’s disease. Though it is an upbeat song for Megadeth, the lyrics are some of their most poignant: “If this is living, what the hell is living for? / You’ve boarded up your eyes, your mind has locked the door”. Broderick’s fills and Mustaine’s voice are beautifully in sync, with the fogginess of some of Mustaine’s vocal lines possibly representing the fogginess of the woman’s memory. This is definitely a highlight of the album, though it is more radio-friendly than most Deth fans are used to.

“Don’t Turn Your Back…” starts off with an impressive bluesy guitar solo and progresses into a badass riff, then into a poppy chorus with more cheesy lyrics (“The best advice I can lend is / Don’t ever turn your back on a friend”). Kinda My Little Pony for Megadeth, even though the musical elements are fantastic.

Though “Cold Sweat” is a Thin Lizzy cover, ironically, it is one of the most Megadeth-sounding songs on the album. Great cover that sounds at home on Endgame.

“All I Want”, the first bonus track, has a vibe similar to Th1rt3en’s “Wrecker” and has obvious KISS influences in the lyrics (“We took off on a rocket ride”). Decent medium-tempo metal song.

“A House Divided” should have been released on all versions of the album. It is truly a shame that it is only available on the deluxe edition. It has an interesting trumpet intro by Bob Findley (who played on Megadeth’s “Silent Scorn”), and like “Dance in the Rain,” reminds me why I’m a fan of this band. Once again, Mustaine sings about injustice (“This is a sad day for violence / When speech results in silence”) as gang vocals creepily chant “We all know something’s wrong” in the background. It gave me goosebumps. It is a suiting finale to the new material.

The final track is a live version of “Countdown to Extinction,” recorded in Pomona, Calif. in December of last year. It is a preview of Megadeth’s next CD/DVD release, Countdown to Extinction Live, which should come out this fall.

Super Collider is just one of those albums that is so different, it has to grow on you. I’ve lost count of how many times I’ve seen it called “Risk II”. But the truth is, there are so many different elements on SC, you can’t compare it to one single item in the Megadeth catalogue. It stands alone.

Final verdict: 7/10

Track Listing:
1. Kingmaker
2 .Super Collider
3. Burn!
4. Built For War
5. Off The Edge
6. Dance In The Rain
7. Beginning Of Sorrow
8. The Blackest Crow
9. Forget To Remember
10. Don’t Turn Your Back…
11. Cold Sweat (Thin Lizzy cover)
12. All I Want (Bonus Track)
13. A House Divided (Bonus Track)
14. Countdown To Extinction (Live In Pomona, CA) (Bonus Track)


MEGADETH New Single Released

Megadeth debuted their newest single, “Kingmaker,” on Twitter today. Let us just say that it blows the previous single, “Super Collider” out of the water.

The album Super Collider is released June 4.


MEGADETH “Super Collider” Album Cover Revealed

Super Collider

You can also hear a snippet of their new song, “Don’t Turn Your Back,” here.


This Week in Metal: NAMM, Ozzfest Japan, Whitesnake and More

This week in metal was a hard one to cover due to the excitement surrounding NAMM. So here are the highlights of this week:

  • Ozzfest Japan 2013 will take place in May and feature Black Sabbath. Other bands include: SlipknotSlash featuring Myles Kennedy and the ConspiratorsDeftonesToolThe TreatmentDir En Grey and Steel Panther.
  • Dave Mustaine revealed that Megadeth will embark on a short tour with Iron Maiden in Spain, Italy, and France. He said that Megadeth is nearly finished recording their fourteenth album, but did not reveal what record label they have signed with. Mustaine also gave some hints as to what bands will be on Gigantour 2013. He said they are “notorious bad boys”. Perhaps they will tour with Mötley Crüe once again?
  • Dee Snider (Twisted Sister) was the subject of an all-star roast featuring Lita FordZakk Wylde and Jim Norton.
  • Ray Burton, father of deceased Metallica bassist Cliff Burton, signed autographs at the ARIA Guitars booth at NAMM.
David Ellefson of Megadeth (2nd from left) and Ray Burton (2nd from right) at the ARIA Guitars booth at NAMM 2013. Photo credit: Metallica official Facebook.

David Ellefson of Megadeth (2nd from left) and Ray Burton (2nd from right) at the ARIA Guitars booth at NAMM 2013. Photo credit: Metallica official Facebook.

  • Drummer Tommy Aldridge rejoined Whitesnake.
  • preview of the new 3D Guns N’ Roses concert film is now available.
  • L.A. Guns posted the first photo of their new lineup featuring guitarist Michael Grant (Endeverafter).
New lineup of L.A. Guns. Photo credit: L.A. Guns official Facebook page.

New lineup of L.A. Guns. Photo credit: L.A. Guns official Facebook page.

  • A preview of the new Motörhead book “Roadkill” went online. 
  • Geoff Tate’s Queensryche revealed a new lineup.
  • The Dillinger Escape Plan and Trapped Under Ice were added to New England Metal and Hardcore Fest.
  • A Sepultura  biography is due for release later this year.
  • Roadrunner Records signed Kvelertak.
  • Poison drummer Rikki Rockett will star in a new reality series called “American Drums”.
  • Flotsam and Jetsam bassist Jason Ward will not be joining the band on their upcoming tour with Testament and Overkill due to family commitments.
  • Drummer Lyle Cooper quits The Faceless.
  • A rumored lineup of Mayhem Fest includes Rob Zombie, Amon Amarth, Deftones, and Children of Bodom. The official lineup will be released Mar.18.

Thus concludes TBOS’s “This Week In Metal”.


Doro Pesch Interview Transcript- Part 2

Part two of TBOS’s interview with Doro Pesch. Here, she tells about her experiences at Wacken Open Air Festival, her first tour with Judas Priest, and receiving health advice from Blackie Lawless of W.A.S.P. Part 1 is here

Doro Pesch Performing in 2008. Photo credit: liveratum on Flickr.

Doro Pesch Performing in 2008. Photo credit: liveratum on Flickr.

The Blog of Shredding: So you were the first woman to ever play at Donington (Monsters of Rock) and Wacken (festivals). Can you tell us about that?

Doro Pesch: I didn’t realize it at the time, and for me it was just like so amazing and so overwhelming. At the Donington Monsters of Rock Festival, it was actually—it was the biggest (metal festival). Back then, it was like unbelievable, and when we heard that we would play on this festival. And I tell you, I guess I was the happiest girl on earth, and that was actually when I quit my job.

Actually, I heard that we would go on Judas Priest’s tour right after the festival and then we would play this big festival in England. Then actually I quit my job as a graphic artist, and I thought, “I wanna try it”.

Then we played there, and it was 120,000 people. And the stage was very high. They had a lot of stairs to go up, a lot of steps. I tell you, my knees, they were like pudding. I walked up the steps and I went (surprised noise) and all the guys in the band felt the same. It was so amazing and the fans were in so (sic) good spirits and so into it, singing along, everybody headbanging. It looked like 120,000 people would headbang at the same time. Back then, there weren’t any iPhones, but in my memory, it was one of the greatest memories.

Then Wacken (Open Air Festival)—I’ve played there eight to nine times. I was there the first time in 1993, and it was a little tiny village. And it was actually when metal wasn’t doing well. It was in ’93, when grunge was so big. And there’s two fans doing a metal festival. I’m like, “Really? That’s so cool!” And I said, “I want to be part of it.” And we get there, and we couldn’t find it because it was such a tiny village, so we asked some farmers, and they actually brought us there on their tractors. It was so funny.

These two fans, it was like metal came out of their hearts. It was great. There was maybe 2,000 people there. But the huge stage, the huge P.A., so probably, I mean 50,000 people could have been easily there to listen. But yeah, the first time, we played with 2,000 maybe.

And then four years later, in ’98 we came back, and I thought, “Another little metal festival with the die-hard fans,” and now there were already 35,000. We thought, “wow!” And then every two, three, four years I played there again, and every time, it was the 20, 30, more thousand people, and now I think it’s like 80,000 people. Yeah, that’s what the police allows.

But I think even more than 50,000 people could be more on the field. But it’s always a big honor to play there and metalheads from all over the world, they’re always, you know, going to Wacken. Many people from the States, Australia, Brazil, like from all over the world. It’s so unbelievable and all the bands, all the musicians feel like “wow,” you know? It’s definitely a great honor to play there.

And you can always show the best show, because Wacken—the guys there—are so supportive. When you want to do something outrageous or something super-special, they always support you in that.

You can always expect the fans to see like a totally unique show, and with the best pyrotechnics and fireworks and light show and state-of-the-art ideas. So that’s what makes Wacken so extra-special.

The Blog of Shredding: You’ve opened for Megadeth and other legends such as the Scorpions. Could you tell us more about that?

Doro Pesch: Oh, yes, yes. I’d love to. My very first big tour was actually in ’86 with my favorite band, Judas Priest. And like I told you before, that’s actually when I quit my job.

It was unbelievable. I got the phone call from my manager at the place I worked. It was actually totally forbidden to take phone calls there, and then my boss, he said, “Hey, little girl. It better be important!” And I’m like (stutters) “Yeah, I hope so!”

So I got on the phone and my manager said, “Hey, are you ready to quit your job?” I said, “Why?” “You’re going on tour with your favorite band.” I said, “What you mean?” “Yes. Judas Priest.”

And back then, it was—I mean, for metal, it was Maiden, Priest, Metallica. It was like-it was like bigger than life. So it was my first tour. It was packed, sold out.Back in the ‘80s, it was definitely the biggest places. Metal was so strong. It was so great to be on tour with them.

My second tour was in ’87 with Ronnie James Dio. And Ronnie James Dio is my favorite singer, and it was so fantastic, and I learned so much.

Then we wanted to go on tour in America. We did a couple of club tours and stuff, which we really did great. And then I got a phone call from the record company and from the manager that said, “Hey, you’ll never guess who you could tour with.” And I said, “Who?” They said, “Dave Mustaine and Megadeth.” And I thought, ‘OH!  WOW!”

So actually, you know, we immediately canceled all the European dates because we had another tour in Europe already booked. And then we canceled all the dates. I said, “No, I wanna do it.” And then we did our first big tour in Spain.

It was great. You know, I love Megadeth. “In My Darkest Hour,” that was my favorite song. It was so great. I watched their show every night, and it was so-it was so special. So great.

Then we did many other tours, all with my favorite artists like Motörhead and the ScorpionsW.A.S.P.

It was my first big England tour, and Blackie Lawless, he was so super-nice to me. He was so cool to me because I was on tour with Judas Priest, and at the end of the tour in Scandinavia, it was this big ice hockey venue. And then everybody said, “Hey, girl, don’t walk on the ice!” And I said, “Oh, I can take it.” You know, I’m metal (laughs) and Judas Priest and it’s ok cause I was watching every day (sic) the sound check of Judas Priest. So I was walking on the ice and said, “Nah, it’s kinda cold. But it’s ok.”

So a couple of days later, we were on tour with W.A.S.P. in England, and I had pneumonia. I was so sick! And that was when I first met Blackie Lawless.

I was sitting on a staircase because there was only one dressing room. And Blackie said, “Hey, is that Doro? The singer of our support Warlock?” And I said, “Yes.” He said, “Wow! You look like you’re really sick.” And I said, “Blackie, I’m so sick, man. I don’t even know if I can do the tour. I’m so sick.”

He said, “You know what? You wait.” And then he told the band members to please give me the dressing room and said, “You know what? Lay down here on the couch. I will wake you when it’s time for you to get dressed. I will get you some great medicine.” And he got me like all this medicine and magic potions for the voice. He got me some fresh fruit juice and fresh fruit, which back in the day, was very, very difficult to get. It was, you know, in England, actually very difficult.

He got me all this medicine, magic potions, and then, he woke me up and he said, “Doro, it’s time for you to get dressed and have a great show.” And I tell you, I felt like a million bucks. I was immediately feeling so much better.

And I thought, “Wow. I will never forget.” You know, he was so nice and so kind. Then I thought, “If I ever have a support (band), I’m gonna treat them as good.”

I learned from all the great bands and artists. And I can definitely say I had a great chance to learn from the best and we played with so many bands. It was unbelievable.

I was always in Heaven. And I never thought, being a little metalhead from Germany, you know, that you could ever tour the world and tour with your favorite bands, with your favorite artists. It was such a dream come true, and it still is. I still deeply appreciate it and feel grateful for it.

To be continued…