Photos: GHOST Live in Phoenix, Ariz.
I had the pleasure of being in the pit for Ghost | Facebook during their show in Phoenix on Tuesday, October 25. All photos were shot with a Samsung Galaxy S7.
For the full photoset, visit alecdamiano.com
Album Review: MEGADETH “Super Collider” Deluxe Edition (2013)
Before I begin this review, let me make my biases known.
I am a major-league Megadeth fan. I am a card-carrying member of the Megadeth Cyber Army. If you look at the “about” page of this blog, you will see me happily nestled between the two MegaDaves, singer/guitarist Dave Mustaine and bassist David Ellefson.
Naturally, I was very excited about the release of the band’s latest effort, Super Collider.
With Super Collider, you can’t just say something like, “It’s Cryptic Writings-meets-Th1rt3en” and be accurate. SC is truly a culmination of all things ‘Deth, with some flashbacks to their thrashier days, elements of their more melodic and experimental albums like Risk, and the newer 2000s material. If you were expecting Rust in Peace II, you will be disappointed. But if you approach it with an open mind, you might be pleased.
SC kicks off with “Kingmaker”, which was released as a single approximately two weeks ago. It renewed people’s faith in Super Collider after so many had been disillusioned by the previous single, the 70s-road-trip-rock title track. “Kingmaker” is like a cross between Black Sabbath’s “Children of the Grave” and ‘Deth’s own “Sweating Bullets,” a tribute to the band’s own musical heritage while adding the thrash elements Megadeth have become known for.
Then comes the infamous “Super Collider,” in a very stark contrast to the opening song. For those who haven’t heard it, it sounds more like Foghat than Megadeth. It’s a middle-of-the-road hard rock song that doesn’t really go anywhere. Mustaine revealed that the band filmed a humorous music video to promote the lead single, and perhaps his intention behind the song will be known once the video is released.
The title “Burn!” sounds like Mustaine’s yell in “Take No Prisoners,” but the song itself is an average rocker, with a chorus that feels more at home in a KISS, Motley Crüe, or even a disco song (“Burn, baby burn… ’cause it feels so good”).
“Built For War” is definitely the worst song on the album, maybe even Megadeth’s worst song, period. Meme Theater posted a review of the album right after it leaked, and their critique of this track says it all:
“…it feels like there was Megadeth playing a toned down Megadeth song in one room while Dave Mustaine sings an unrelated melody and lyrical arrangement in another room, while a 2ND DAVE MUSTAINE stood in yet another separate room in said ‘Built for War!’ at random times, as bored as possible…”
“Off the Edge” has a very nice, dark intro and segues into an average metal song but with sub-par lyrics, at least for Megadeth (“Lately, it seems the world is going crazy / It won’t be long till they replace me / And nothing seems to faze me, anymore”). Think of “Fast Lane” from Th1rt3en, but with worse lyrics.
“Dance in the Rain” is the turning point of this album. David Draiman (Disturbed, Device) lends songwriting and guest vocals to this amazing song, which is one of Megadeth’s best since Youthanasia. The song is about American politicians/government taking advantage of We The People as we struggle to make ends meet. It reminds me why I love Megadeth in the first place: chugging guitar rhythms, Shawn Drover’s fast feet at the double bass drums, Chris Broderick’s wailing leads perfectly complementing Dave Mustaine’s eternally stark lyrics. The song starts off slow and progressively speeds up, eventually ripping into a blazing riff and brutal drums backing Draiman’s powerhouse vocals. It would be right at home on United Abominations or Endgame.
“Beginning of Sorrow” is another good , somewhat slow song with heavy lyrical content, about a neglected child. Mustaine’s daughter Electra contributes some backing vocals.
“The Blackest Crow” is one of the most anticipated songs on this album, since video previews on the band’s website showed instruments like a banjo, fiddle, and slide guitar being used. There were also talks of country legend Willie Nelson guesting on this track. Though Nelson did not appear, the song does its hype justice, serving as a strange but pleasant bridge between bluegrass and heavy metal.
Mustaine wrote “Forget To Remember” about his mother-in-law, who has Alzheimer’s disease. Though it is an upbeat song for Megadeth, the lyrics are some of their most poignant: “If this is living, what the hell is living for? / You’ve boarded up your eyes, your mind has locked the door”. Broderick’s fills and Mustaine’s voice are beautifully in sync, with the fogginess of some of Mustaine’s vocal lines possibly representing the fogginess of the woman’s memory. This is definitely a highlight of the album, though it is more radio-friendly than most Deth fans are used to.
“Don’t Turn Your Back…” starts off with an impressive bluesy guitar solo and progresses into a badass riff, then into a poppy chorus with more cheesy lyrics (“The best advice I can lend is / Don’t ever turn your back on a friend”). Kinda My Little Pony for Megadeth, even though the musical elements are fantastic.
Though “Cold Sweat” is a Thin Lizzy cover, ironically, it is one of the most Megadeth-sounding songs on the album. Great cover that sounds at home on Endgame.
“All I Want”, the first bonus track, has a vibe similar to Th1rt3en’s “Wrecker” and has obvious KISS influences in the lyrics (“We took off on a rocket ride”). Decent medium-tempo metal song.
“A House Divided” should have been released on all versions of the album. It is truly a shame that it is only available on the deluxe edition. It has an interesting trumpet intro by Bob Findley (who played on Megadeth’s “Silent Scorn”), and like “Dance in the Rain,” reminds me why I’m a fan of this band. Once again, Mustaine sings about injustice (“This is a sad day for violence / When speech results in silence”) as gang vocals creepily chant “We all know something’s wrong” in the background. It gave me goosebumps. It is a suiting finale to the new material.
The final track is a live version of “Countdown to Extinction,” recorded in Pomona, Calif. in December of last year. It is a preview of Megadeth’s next CD/DVD release, Countdown to Extinction Live, which should come out this fall.
Super Collider is just one of those albums that is so different, it has to grow on you. I’ve lost count of how many times I’ve seen it called “Risk II”. But the truth is, there are so many different elements on SC, you can’t compare it to one single item in the Megadeth catalogue. It stands alone.
Final verdict: 7/10
Track Listing:
1. Kingmaker
2 .Super Collider
3. Burn!
4. Built For War
5. Off The Edge
6. Dance In The Rain
7. Beginning Of Sorrow
8. The Blackest Crow
9. Forget To Remember
10. Don’t Turn Your Back…
11. Cold Sweat (Thin Lizzy cover)
12. All I Want (Bonus Track)
13. A House Divided (Bonus Track)
14. Countdown To Extinction (Live In Pomona, CA) (Bonus Track)
GHOST B.C., IDES OF GEMINI Live in Tucson, Ariz. – Aprl 23, 2013
Tuesday night may not be the ideal time to host a metal concert, and Tucson, Ariz., isn’t exactly known for its metal scene. But the Rialto Theater was packed with wild headbangers and stagedivers during last night’s Ghost B.C. concert.
(Ghost B.C. will hereafter be referred to as simply “Ghost”.)
Ghost B.C.’s Papa Emeritus alongside a Nameless Ghoul. Photo by Alec Damiano.
The Rialto Theater was a seemingly perfect venue choice for the controversial band. With its rustic classic theater vibe and vintage red walls, the building itself matched the incense and candles burning on Ghost’s merch table.
Tucson sludge metallers Godhunter opened the show, their music a combination of death growls and doomy riffs.
Tucson metal band Godhunter performs. Photo by Alec Damiano
Next up were Los Angeles doom outfit Ides of Gemini. Singer and bassist Sera Timms’ powerful voice complemented the death march-esque drums and ripping guitar perfectly.
Female-fronted doom metal band Ides of Gemini. Photo by Alec Damiano.
Before the headliner went on, Ghost’s crew prepared a ritual where incense was lit and fog machines let out a (secular) haze filling the room.
A “secular haze” fills the room before Ghost goes on. Photo by Alec Damiano.
The Nameless Ghouls opened with “Infestissumam” and Papa Emeritus made his grand entrance during “Per Aspera Ad Inferni”.
Ghost played an approximately 90-minute setlist with songs from both their albums, “Opus Eponymous” and “Infestissumam”. Papa Emeritus interacted with the crowd regularly, allowing crazed fans to grab his hands, which were covered by black latex gloves.
Papa Emeritus preaching to the crowd. Photo by Alec Damiano.
At the end of the show, a woman climbed onstage, wearing only a dress and a thong. Two young men later rushed the stage in a desperate attempt to steal the setlist. They were pulled out of the venue by security.
Ghost have always been controversial among metalheads. While some say they’re metal, others say they’re retro pop-rock. But Ghost sound far heavier live than on their albums. Audience members may not have moshed, but they certainly banged their heads and raised their fists.
The Nameless Ghouls. Photo by Alec Damiano.
Though the mysterious band may not record the heaviest music, their show was definitely metal nonetheless.
April’s Most Anticipated Albums – Device, Rob Zombie, Volbeat and More
Despite March being hailed by record stores as “Metal Month,” there are plenty of highly-anticipated albums that will be released in April.
The Blog of Shredding brings you the guide to what albums you should buy and where you can hear them (or at least some of the tracks) before they hit stores.
All release dates are U.S. release dates.
Device – “Device”
Release Date: April 9
Device’s self-titled debut album (2013). Photo from Noisecreep.
Device is the side project of Disturbed frontman David Draiman. The entire self-titled effort is now available for streaming on Noisecreep.
The lineup also includes Evanescence drummer Will Hunt, Dope guitarist Vitus and former Filter guitarist Geno Lenardo. M. Shadows from Avenged Sevenfold and Lzzy Hale from Halestorm make guest appearances.
Stone Sour – “House of Gold and Bones Part 2”
Release Date: April 9
Stone Sour’s “House of Gold And Bones Part 2” (2013). Photo from Stone Sour’s official website.
“House of Gold and Bones Part 2” is the sequel to Stone Sour’s 2012 chart-topper, “House of Gold and Bones Part 1”. HOGAB is singer Corey Taylor’s project that includes the double album and a comic book series. HOGAB Part 2 also features Skid Row’s Rachel Bolan taking up bass duties.
TBOS previously reviewed this album. It is available for streaming on Stone Sour’s official website.
Volbeat – “Outlaw Gentlemen and Shady Ladies”
Release Date: April 9
“Outlaw Gentlemen and Shady Ladies” (2013). Photo from Volbeat’s official website.
Volbeat’s first album to feature former Anthrax guitarist Rob Caggiano drops Tuesday. Legendary singer King Diamond (Mercyful Fate) is featured on the track “Room 24”. “Room 24” is available for free on King Diamond’s website, as a gift to the fans.
Ghost B.C. – “Infestissumam”
Release Date: April 9 April 16
Ghost B.C.’s sophomore release. Photo from Ghost B.C.’s official website.
The release of Ghost B.C.’s sophomore album was delayed by a week due to controversy surrounding the artwork of “Infestissumam”. (The questionable artwork was not even on the album cover, but on the physical CD and would not have been visible to customers unless they purchased the album.)
Several of the songs from “Infestissumam” have already leaked online. The video for “Year Zero” can be seen below.
Skid Row – “United World Rebellion – Chapter One” (EP)
Release Date: April 16
“United World Rebellion” (2013), Skid Row’s first record in seven years. Photo from BLABBERMOUTH.NET
“United World Rebellion – Chapter One” is the first in a series of EPs that Skid Row plans to release in the near future. It is their third record to feature singer Johnny Solinger, who replaced Sebastian Bach in 1999.
The official lyric video for “Kings of Demolition” can be seen below.
Geoff Tate’s Queensryche – “Frequency Unknown”
Release Date: April 23
Geoff Tate’s first album with his incarnation of Queensryche. Photo from BLABBERMOUTH.NET
After a nasty split-up between singer Geoff Tate and his band Queensryche in late 2012, two versions of the band emerged: Geoff Tate’s Queensryche and simply, Queensryche.
The lineup of Tate’s version includes bassist Rudy Sarzo (Ozzy Osbourne, Dio, Whitesnake, Quiet Riot) and drummer Simon Wright (AC/DC, Dio). Guest musicians on “Frequency Unknown” include K.K. Downing (Judas Priest), Chris Poland (Megadeth) and Lita Ford.
The single “Cold” is available for streaming below.
Rob Zombie – “Venomous Rat Regeneration Vendor”
Release Date: April 23
Rob Zombie, this year’s Mayhem Fest headliner, will release his new album later this month. Photo from Rob Zombie’s official website.
2013 is turning out to be the year of the Zombie.
Rob Zombie is headlining this year’s Rockstar Energy Drink Mayhem Festival. His film, “The Lords of Salem,” hits theaters April 19.
On top of that, his new album “Venomous Rat Regeneration Vendor” has been highly acclaimed by various critics.
You can listen to the single, “Dead City Radio” here. The official music video will be released on VEVO on Monday.
More of April’s Most Anticipated Albums:
Flotsam and Jetsam – “Ugly Noise”
Release Date: April 16
Deep Purple – “NOW What?!”
Release Date: April 26
HIM – “Tears on Tape”
Release Date: April 26
Cathedral – “The Last Spire”
Release Date: April 29
For a more comprehensive list of upcoming metal releases, visit Metal Storm.
Album Review: Stone Sour – ‘House of Gold and Bones Part 2’ (2013)
Release Date: April 9, 2013
Label: Roadrunner Records
Earlier today, Stone Sour streamed the sequel to their chart-topping album “House of Gold and Bones Part 1” (2012). Though “House of Gold and Bones Part 2” won’t officially be released in the States until next week, I am reviewing it now.
It’s been a long time since I’ve listened to an album that has genuinely kept me entertained the whole way through. When I heard HOGAB Pt. 2, I didn’t find myself looking back at the track list every so often, wondering, “Just how many songs are there left?” It is a fantastic album and fitting sequel to Part 1 with its schizophrenic time and style changes, sometimes during single songs.
HOGAB is singer Corey Taylor’s brainchild–two concept albums and a 4-part comic book miniseries about temptation and vice. The music itself is a representation of the conflicts the protagonist, Human, endures. It brings the lyrics to life, and the theme continues through Part 2.
Part 2 starts off with a melancholy piano ballad, “Red City”. It is quite the departure from “Last of the Real,” the final track of Part 1. But during the second track, “Black John,” thrashing drums kick in, signalling the alternative metal tour de force that is the rest of the album. “Sadist” is a slower, groove metal-esque number with chromatic riffs akin to Ozzy’s “Diary of a Madman”.”Peckinpah” is another grooving number, but the next song, “Stalemate,” is one of the highlights of HOGAB 2.
“Stalemate” starts off as an acoustic ballad with piano flourishes, and one assumes that it will be similar to the first track. But suddenly the electric guitars and drums kick in and you wonder what the hell just hit you. You just got your ass kicked and now your neck is broken from headbanging so much. Then there’s a key change to throw you another curveball.
In addition to hard rocking tracks like “’82,” “Do Me A Favor” and “House of Gold and Bones,” HOGAB 2 has its share of powerful ballads. While still heavy, “The Uncanny Valley” and “The Configuration” would do well in mainstream or crossover charts. “The Configuration” reminds me why 80s metal power ballads so great (Skid Row bassist Rachel Bolan, who contributed to this album, should know). It would be wise for Stone Sour to release it as a single.
This album showcases why Stone Sour is so great. The lyrics are very relatable, telling tales of adversity, self-doubt and self-empowerment. They actively troll their listeners with their musical epicness and make you go, “what the hell just happened?” You’re not sure what hit you, but it is well worth the bruise you’re left with.
Track Listing:
- Red City
- Black John
- Sadist
- Peckinpah
- Stalemate
- Gravesend
- ’82
- The Uncanny Valley
- Blue Smoke
- Do Me A Favor
- The Configuration
- House of Gold and Bones
Lineup:
Corey Taylor – vocals
James Root – guitar
Josh Rand – guitar
Roy Moyarga – drums
Rachel Bolan – bass
CORRECTION (4/6/13): Human is the protagonist of the story, not Allen.
DORO, SISTER SIN and More Live in Tempe, Ariz.
Last month, TBOS had the honor of interviewing the Metal Queen, Doro Pesch. The interview was transcribed in four parts, and the audio was featured on Blabbermouth.net.
Doro Pesch onstage. Photo by Alec Damiano.
Saturday, we had the pleasure of seeing and hearing Doro do what she does best–making people headbang till their necks turn sore!
Tempe’s Rocky Point Cantina held an epic mini metal-fest Saturday night, with a total of six bands performing.
Local Phoenix bands Unconscious Minds, Hands of a Traitor, Epyon and NightSphere primed the audience for Sister Sin and DORO.
First up were classic/thrash metal outfit, Unconscious Minds. They made Pantera fans proud with their soaring vocals and melodic bass lines.
Vocalist Manny Lopez of Unconscious Minds. Photo by Alec Damiano.
Unconscious Minds were the first act of the night and played a thrashing set. Photo by Alec Damiano.
Next were metalcore group Hands of a Traitor. They were definitely the youngest out of all the local bands, and they had a dedicated fanbase moshing in the audience. If you’re into newer metal like Asking Alexandria, this band is for you.
Hands of a Traitor tear it up as their fans moshed in the background. Photo by Alec Damiano.
Epyon played an impressive instrumental set that reminded concertgoers of classic Metallica (think “Orion”) and Death Angel. They also announced that they had found a singer, though the band performed as an instrumental quartet.
Members from Epyon played an instrumental classic metal set. Photo by Alec Damiano.
The last local band to perform was power metal act NightSphere. They made an impressive stage entrance with dimmed lights and fog floating through the air.
Power metal outfit NightSphere. Pictured are singer CJ McConnell and guitarist Elsthon Gomez. Photo by Alec Damiano.
Next were Swedish glam metallers Sister Sin. They played a nine-song setlist, which included tracks from all their albums. Four of the songs were from their latest record, “Now and Forever”. Liv Jagrell interacted energetically with the crowd, actually stepping off the stage to greet fans at one point. The audience was left clamoring for more after they finished.
Liv Jagrell, the energetic frontwoman from Sister Sin. Photo by Alec Damiano.
Finally, at 11:20 p.m., headliners DORO took the stage. They played 20 songs, about half of which were from Pesch’s previous band, Warlock. Highlights from the set were “Hero,” which was written as a tribute to the late Ronnie James Dio, a cover of Judas Priest’s “Breaking The Law”, and the Warlock anthem “All We Are,” where the members from Sister Sin returned to the stage to sing along and engage with the crowd.
Doro Pesch, DORO’s frontwoman and namesake, interacts energetically with the clamoring crowd. Photo by Alec Damiano.
Saturday night was an unforgettable night for Tempe metalheads. The headliners more than delivered and great local talent was also showcased.
Sister Sin joined DORO onstage for a memorable rendition of “All We Are”. Photo by Alec Damiano.
This Week In Metal: Slayer, Machine Head, Mayhem Fest and more
- In what came as as a shock to metalheads everywhere, Slayer drummer Dave Lombardo was allegedly fired for questioning contractual matters. You can read the full statement on his Facebook page.
Slayer released a statement shortly afterward, confirming that John Dette from Testament will be replacing Lombardo on the upcoming Australian tour. It is unclear when or if Lombardo will be readmitted into the band.
- Another shocking lineup change. Machine Head bassist Adam Duce has left the band. Robb Flynn remains the sole original member. An official statement released on the band’s website describes the split as “amicable,” and they wish Duce the best in his future endeavors.
- Loudwire premiered Anthrax’s new cover of AC/DC’s “T.N.T.” Their covers album, “Anthems,” will be released March 19.
In other Anthrax news, former guitarist Rob Caggiano performed onstage with Volbeat for the first time.
(link from Blabbermouth.net)
- Ghost B.C. (formerly known as Ghost) released the music video for their single “Secular Haze”. They also released the album artwork for “Infestissumam,” which goes onsale April 19.
- A new TV commercial was unveiled to promote the 2013 Revolver Golden God Awards, which will take place May 2. The video features Chris Jericho, Zakk Wylde, Sebastian Bach and others. Metallica is headlining the show. You can vote for the award recipients here.
- Skid Row debuted a preview of their new single, “Kings of Demolition” and announced that they have signed a deal with Megaforce Records. Their new EP, “United World Rebellion – Chapter One,” will be released in North America April 16.
- Other bands that have released studio updates this week: Megadeth, Children of Bodom, Steel Panther, Deep Purple.
- The official Rockstar Energy Drink Mayhem Festival lineup for 2013 will be released on March 18. A rumored lineup includes Rob Zombie, Five Finger Death Punch, Lamb of God, Children of Bodom and Amon Amarth.
Thus concludes this week in metal.
Why the Grammys Are Clueless About Metal
Unless you’ve been away from the headbanging world, you are aware that Halestorm won the 2013 Grammy for “Best Hard Rock/Metal Performance”. This win is historic in the sense that singer Lzzy Hale is the first female singer to ever be nominated for that category and win.
By all means, congrats to Halestorm. They are a hard working band and “Love Bites (So Do I)” is a great song.
But once again, this decision reflects the cluelessness of the National Academy of Recording Arts and Sciences (NARAS), the head of the Grammys, when it comes to metal.
The hard rock/metal category has undergone several changes.
The first and only “Best Hard Rock/Metal Performance Vocal or Instrumental” Grammy was awarded in 1989. It was expected that Metallica would win. Their album “…And Justice For All” had spawned the hit “One” and was their best-selling album to date.
But non-metal band Jethro Tull won.
Jethro Tull released an ad in Billboard Magazine showing a picture of a flute and the line, “The flute is a real, heavy metal instrument!” Subsequent editions of Metallica’s “…And Justice For All” contained a sticker reading “Grammy Award LOSERS.”
Metallica: 1989 Grammy award LOSERS. Photo courtesy frenk tatranky on Flickr.
Entertainment Weekly called it one of the biggest upsets in Grammy history.
Due to criticism of the academy, separate hard rock and metal categories were created (though the two genres were recombined into one category for the 2012 awards.)
Here are some more examples of the board’s knowledge:
- Metallica won the 1991 metal Grammy for their cover of Queen’s “Stone Cold Crazy,” though Queen itself was never nominated.
- Motörhead won the 2005 metal Grammy for a cover of Metallica’s “Whiplash”.
- The 2009 metal Grammy was awarded to Judas Priest for a live version of “Dissident Aggressor,” a song originally released in 1977.
Now it’s 2013, and though the board appears to have made progress, there are still changes to be made.
Up against Halestorm were Iron Maiden, Megadeth, Anthrax, Marilyn Manson and Lamb Of God.
Iron Maiden has one Grammy to their legendary name. They are often credited as one of the pioneers of the New Wave of British Heavy Metal and are regarded as one of the most successful metal bands of all time.
Anthrax and Megadeth are two of the Big Four of Thrash Metal, which were credited with popularizing the genre. Neither have won a Grammy. Megadeth holds the record for the most Grammy nominations (eleven) in the metal category without a win.
The hard rock/metal category is the still the only one dedicated to this art form and the award is not televised. Eddie Trunk and other metal journalists have complained about the outright disrespect for these musical genres by the board.
Though the talent of all this year’s nominees is unmistakable, Halestorm’s win is reminiscent of actions by the Rock and Roll Hall of Fame. Winners and inductees are not chosen according to a band’s record sales or influence, but according to politics.
While KISS, Deep Purple (“Smoke on the Water”), Judas Priest, Iron Maiden, and countless other influential rock and metal bands have yet to be inducted, newer bands like Guns N’ Roses and non-rock acts like Madonna are in there.
With all due respect to Halestorm, the proponents of “Music’s Biggest Night” have a lot of explaining to do.
This Week in Metal: NAMM, Ozzfest Japan, Whitesnake and More
This week in metal was a hard one to cover due to the excitement surrounding NAMM. So here are the highlights of this week:
- Ozzfest Japan 2013 will take place in May and feature Black Sabbath. Other bands include: Slipknot, Slash featuring Myles Kennedy and the Conspirators, Deftones, Tool, The Treatment, Dir En Grey and Steel Panther.
- Dave Mustaine revealed that Megadeth will embark on a short tour with Iron Maiden in Spain, Italy, and France. He said that Megadeth is nearly finished recording their fourteenth album, but did not reveal what record label they have signed with. Mustaine also gave some hints as to what bands will be on Gigantour 2013. He said they are “notorious bad boys”. Perhaps they will tour with Mötley Crüe once again?
- Dee Snider (Twisted Sister) was the subject of an all-star roast featuring Lita Ford, Zakk Wylde and Jim Norton.
- Ray Burton, father of deceased Metallica bassist Cliff Burton, signed autographs at the ARIA Guitars booth at NAMM.
David Ellefson of Megadeth (2nd from left) and Ray Burton (2nd from right) at the ARIA Guitars booth at NAMM 2013. Photo credit: Metallica official Facebook.
- Drummer Tommy Aldridge rejoined Whitesnake.
- A preview of the new 3D Guns N’ Roses concert film is now available.
- L.A. Guns posted the first photo of their new lineup featuring guitarist Michael Grant (Endeverafter).
New lineup of L.A. Guns. Photo credit: L.A. Guns official Facebook page.
- A preview of the new Motörhead book “Roadkill” went online.
- Geoff Tate’s Queensryche revealed a new lineup.
- The Dillinger Escape Plan and Trapped Under Ice were added to New England Metal and Hardcore Fest.
- A Sepultura biography is due for release later this year.
- Roadrunner Records signed Kvelertak.
- Poison drummer Rikki Rockett will star in a new reality series called “American Drums”.
- Flotsam and Jetsam bassist Jason Ward will not be joining the band on their upcoming tour with Testament and Overkill due to family commitments.
- Drummer Lyle Cooper quits The Faceless.
- A rumored lineup of Mayhem Fest includes Rob Zombie, Amon Amarth, Deftones, and Children of Bodom. The official lineup will be released Mar.18.
Thus concludes TBOS’s “This Week In Metal”.
Doro Pesch Interview Transcript – Part 4
In the final part of this interview, Doro Pesch discusses her future plans and reveals her thoughts on the current metal scene. Her new movie “Anuk: The Path of the Warrior 2” will be released next year. She plans to do a new fashion line and create a champagne to commemorate her career’s 30th anniversary.
The previous parts of the interview are here: Part 1, Part 2, Part 3.
Doro Pesch, 2008. Photo courtesy valvemagazine on Flickr.
The Blog of Shredding: You design all your own stage clothes, right?
Doro Pesch: Yeah, but somebody else is sewing it and usually it’s not real leather. Because one day, I thought, “Man, I don’t want to hurt anybody and I don’t want to have, you know, any animals getting killed for my stage clothes.” So our stage clothes, they look like leather, but they are actually not real leather or other fabrics. I have a lady who’s sewing it, but we’re always working together and making how I want it and then her ideas, we get together. But she’s sewing it. Yeah, she’s a professional. I used to do that by myself in the 80s, but yeah, it’s better when you have a professional. (laughs)
The Blog of Shredding: Have you ever considered making a fashion line?
Doro Pesch: Yeah, actually I got my own fashion line. It’s called “Love Me in Black,” and it’s all, of course, black clothes and it has all kinds of jean material and like fake leather, which looks really good. And I would love to do a second one in time, maybe for the 30th anniversary. We were thinking about working out with some people together, they are like doing this gothic clothes, gothic metal clothes. Yeah, so it’s maybe something that’s in the making. But so far, I’m always on tour or just finished mixing the record or the promotion tour, so I don’t know if it will come out this year. But something nice.
I want to do something nice for the 30th anniversary, having a big celebration. And I think we will have our own champagne, the 30th anniversary champagne! There’s a perfume line in the making for ladies, so some little goodies. Something for the merchandise, not like big¸ big, big, just something nice to collect and stuff.
The Blog of Shredding: What are some of your other future plans?
Doro Pesch: Just a couple of days ago, I came back from Switzerland and I finished the movie “Anuk: The Path of the Warrior 2.” I did it one time in 2007, and now the second part we just filmed it before the European tour. And we didn’t finish it. And I just finished it last week. I wanna do maybe a couple of songs for the movie because that’s how we got together in the first place. The guy who’s doing it—the director and producer—his name is Luke Gasser, and he asked me if I wanted to write the title track for the movie that was back in 2006, 2007. And I said, “I would love to. I would love to.” So he gave me the script, and I thought, “Wow! This is great.” It’s like an adventure movie, and I said, “Oh, I would love that!” And he said, “Do you want to play a part in it too?” And I said,” Wow! I never did it. I just did (music) videos.” He said,” Oh, let’s do it.” So I did, and my part was actually a warrior named Meha. Now I play the part of Meha again. And we filmed it in the mountains in Switzerland and in Ireland. It was very exciting. So this will come out this year as well, maybe end of 2013, beginning of 2014.
Then nonstop touring the world, and I just wanna concentrate to do a great American tour and to give the fans the best we’ve ever played. And we will play all the songs from the old school metal songs of the 80s, some great Warlock songs which fans never heard (live), some surprises, the title tracks of all the records. Now there’s like 17 records. All the best stuff. All the best songs of the new album. Yeah, that’s actually what I’m most excited about now.
We will celebrate the 30th anniversary, we’ll have some big shows with great guests. The first one, we will do Open Air in Wacken this year in August. Then I want to do two in Dusseldorf, Germany, my hometown. Two shows, two nights in a row, maybe with orchestra and great guests. And the other one, maybe—something spectacular. Something really great. And I want to do one time in London, one time in Paris, and one time in New York, since I live there now since ’87. So we want to do like these extra-special shows… Yeah, I think that’s more than the whole year can be, then there’s time, so yeah.
The Blog of Shredding: What do you think of the state of metal nowadays?
Doro Pesch: Oh, I think it’s in great shape and I think the festivals worldwide—usually they’re like the biggest and best festivals. For example, Wacken, it’s already sold out. It was eight months sold out before the show would take place. And the last time, I think it was sold out six months before it took place. So I think it’s a great sign.
Worldwide, I think we can tour the world much more. In the 80s, it was impossible to tour Russia or China or Romania, Bulgaria, and now, we can tour all over the world and I think that’s awesome. Thailand we did too. It’s fantastic, so I think the world became much more open and I think there’s still a lot of work to do and some other countries where it’s impossible to listen to metal or to even go there to tour.
But other than that, metal is in great shape. I think it almost reminds me of the 80s, and I think that’s very good.
I miss all like the great magazines. I was a big fan of these great magazines, and I miss them. And I miss the big record stores where you could, you know, go in and like, you know, weed through for ten hours. So that’s what I miss a little bit. But on the other hand, now everything’s available on the Internet.
So I guess in one way it’s good, in another way—I still love vinyl. And the few ways to send the record, the record company, I told them I would like to have a vinyl edition. And they said, “Yes, we know your fans would like that.” So there’s actually vinyl editions, that’s awesome. Yeah, and I think metal is in really good shape, very strong.
The Blog of Shredding: What are some new metal bands you’re listening to?
Doro Pesch: I like Children of Bodom, I like In Flames, Arch Enemy, Sabaton, Saltatio Mortis. There’s a very unique metal band that do—I don’t know how you call them. Maybe “Middle Age”. It’s like, they have like these different instruments like the old, old instruments. I don’t know how you call that genre in English.
Me: Folk metal?
Doro: It’s not folk metal. It’s called “mittlelalter”. “Mittlelalter” means “middle age” or “dark age”. And it’s very interesting, so if people are interested, it’s a great band. Saltatio Mortis is their name. I sing on one of their records. We did a duet. The song’s called “Salome”. Yeah, and they’re young guys, really great.
And I’m a big Rammstein fan. Of course, they’re not so new anymore. It’s not like they just came out, but it’s already, you know, so many more years…
All the bands I loved in the 80s, I still love them, I must say (laughs).
I like Steel Panther. They’re so much fun! (laughs)
And so concludes our interview with the ever-humble Metal Queen.
Tomorrow on TBOS: This Week in Metal. NAMM, Ozzfest Japan, Tommy Aldridge rejoins Whitesnake and more.
Doro Pesch Interview Transcript- Part 2
Part two of TBOS’s interview with Doro Pesch. Here, she tells about her experiences at Wacken Open Air Festival, her first tour with Judas Priest, and receiving health advice from Blackie Lawless of W.A.S.P. Part 1 is here.
Doro Pesch Performing in 2008. Photo credit: liveratum on Flickr.
The Blog of Shredding: So you were the first woman to ever play at Donington (Monsters of Rock) and Wacken (festivals). Can you tell us about that?
Doro Pesch: I didn’t realize it at the time, and for me it was just like so amazing and so overwhelming. At the Donington Monsters of Rock Festival, it was actually—it was the biggest (metal festival). Back then, it was like unbelievable, and when we heard that we would play on this festival. And I tell you, I guess I was the happiest girl on earth, and that was actually when I quit my job.
Actually, I heard that we would go on Judas Priest’s tour right after the festival and then we would play this big festival in England. Then actually I quit my job as a graphic artist, and I thought, “I wanna try it”.
Then we played there, and it was 120,000 people. And the stage was very high. They had a lot of stairs to go up, a lot of steps. I tell you, my knees, they were like pudding. I walked up the steps and I went (surprised noise) and all the guys in the band felt the same. It was so amazing and the fans were in so (sic) good spirits and so into it, singing along, everybody headbanging. It looked like 120,000 people would headbang at the same time. Back then, there weren’t any iPhones, but in my memory, it was one of the greatest memories.
Then Wacken (Open Air Festival)—I’ve played there eight to nine times. I was there the first time in 1993, and it was a little tiny village. And it was actually when metal wasn’t doing well. It was in ’93, when grunge was so big. And there’s two fans doing a metal festival. I’m like, “Really? That’s so cool!” And I said, “I want to be part of it.” And we get there, and we couldn’t find it because it was such a tiny village, so we asked some farmers, and they actually brought us there on their tractors. It was so funny.
These two fans, it was like metal came out of their hearts. It was great. There was maybe 2,000 people there. But the huge stage, the huge P.A., so probably, I mean 50,000 people could have been easily there to listen. But yeah, the first time, we played with 2,000 maybe.
And then four years later, in ’98 we came back, and I thought, “Another little metal festival with the die-hard fans,” and now there were already 35,000. We thought, “wow!” And then every two, three, four years I played there again, and every time, it was the 20, 30, more thousand people, and now I think it’s like 80,000 people. Yeah, that’s what the police allows.
But I think even more than 50,000 people could be more on the field. But it’s always a big honor to play there and metalheads from all over the world, they’re always, you know, going to Wacken. Many people from the States, Australia, Brazil, like from all over the world. It’s so unbelievable and all the bands, all the musicians feel like “wow,” you know? It’s definitely a great honor to play there.
And you can always show the best show, because Wacken—the guys there—are so supportive. When you want to do something outrageous or something super-special, they always support you in that.
You can always expect the fans to see like a totally unique show, and with the best pyrotechnics and fireworks and light show and state-of-the-art ideas. So that’s what makes Wacken so extra-special.
The Blog of Shredding: You’ve opened for Megadeth and other legends such as the Scorpions. Could you tell us more about that?
Doro Pesch: Oh, yes, yes. I’d love to. My very first big tour was actually in ’86 with my favorite band, Judas Priest. And like I told you before, that’s actually when I quit my job.
It was unbelievable. I got the phone call from my manager at the place I worked. It was actually totally forbidden to take phone calls there, and then my boss, he said, “Hey, little girl. It better be important!” And I’m like (stutters) “Yeah, I hope so!”
So I got on the phone and my manager said, “Hey, are you ready to quit your job?” I said, “Why?” “You’re going on tour with your favorite band.” I said, “What you mean?” “Yes. Judas Priest.”
And back then, it was—I mean, for metal, it was Maiden, Priest, Metallica. It was like-it was like bigger than life. So it was my first tour. It was packed, sold out.Back in the ‘80s, it was definitely the biggest places. Metal was so strong. It was so great to be on tour with them.
My second tour was in ’87 with Ronnie James Dio. And Ronnie James Dio is my favorite singer, and it was so fantastic, and I learned so much.
Then we wanted to go on tour in America. We did a couple of club tours and stuff, which we really did great. And then I got a phone call from the record company and from the manager that said, “Hey, you’ll never guess who you could tour with.” And I said, “Who?” They said, “Dave Mustaine and Megadeth.” And I thought, ‘OH! WOW!”
So actually, you know, we immediately canceled all the European dates because we had another tour in Europe already booked. And then we canceled all the dates. I said, “No, I wanna do it.” And then we did our first big tour in Spain.
It was great. You know, I love Megadeth. “In My Darkest Hour,” that was my favorite song. It was so great. I watched their show every night, and it was so-it was so special. So great.
Then we did many other tours, all with my favorite artists like Motörhead and the Scorpions, W.A.S.P.
It was my first big England tour, and Blackie Lawless, he was so super-nice to me. He was so cool to me because I was on tour with Judas Priest, and at the end of the tour in Scandinavia, it was this big ice hockey venue. And then everybody said, “Hey, girl, don’t walk on the ice!” And I said, “Oh, I can take it.” You know, I’m metal (laughs) and Judas Priest and it’s ok cause I was watching every day (sic) the sound check of Judas Priest. So I was walking on the ice and said, “Nah, it’s kinda cold. But it’s ok.”
So a couple of days later, we were on tour with W.A.S.P. in England, and I had pneumonia. I was so sick! And that was when I first met Blackie Lawless.
I was sitting on a staircase because there was only one dressing room. And Blackie said, “Hey, is that Doro? The singer of our support Warlock?” And I said, “Yes.” He said, “Wow! You look like you’re really sick.” And I said, “Blackie, I’m so sick, man. I don’t even know if I can do the tour. I’m so sick.”
He said, “You know what? You wait.” And then he told the band members to please give me the dressing room and said, “You know what? Lay down here on the couch. I will wake you when it’s time for you to get dressed. I will get you some great medicine.” And he got me like all this medicine and magic potions for the voice. He got me some fresh fruit juice and fresh fruit, which back in the day, was very, very difficult to get. It was, you know, in England, actually very difficult.
He got me all this medicine, magic potions, and then, he woke me up and he said, “Doro, it’s time for you to get dressed and have a great show.” And I tell you, I felt like a million bucks. I was immediately feeling so much better.
And I thought, “Wow. I will never forget.” You know, he was so nice and so kind. Then I thought, “If I ever have a support (band), I’m gonna treat them as good.”
I learned from all the great bands and artists. And I can definitely say I had a great chance to learn from the best and we played with so many bands. It was unbelievable.
I was always in Heaven. And I never thought, being a little metalhead from Germany, you know, that you could ever tour the world and tour with your favorite bands, with your favorite artists. It was such a dream come true, and it still is. I still deeply appreciate it and feel grateful for it.
To be continued…
The Blog of Shredding 