I had the opportunity to interview symphonic metal mastermind and keyboardist Martijn Westerholt of DELAIN. We discussed the band’s upcoming album, Moonbathers, which is out August 26th via Napalm Records.
Moonbathers features Alissa White-Gluz (ARCH ENEMY, ex-THE AGONIST) as a guest vocalist on “Hands of Gold,” as well as a cover of QUEEN‘s “Scandal”.
Westerholt also discusses his time in Within Temptation, accusations of “commercialism,” and elitism in metal:
The whole ‘commercial’ argument is total bullshit, because if I want to go commercial, you can not use any guitars whatsoever, and I’m in totally the wrong genre. So, I just make what I love to make… If I want to make money, and if I want to be commercial, first of all, I wouldn’t be into music in general, because the chance that you can earn money with music is REALLY, REALLY small. And second of all, even if I want to do that, then please don’t choose metal, because you will have very limited radio airplay, and metal is not in fashion. But I happen to love metal, and I happen to love hard guitars… I actually really, really dislike–actually, despise–the whole elitism thing. Also, when bands become successful, then it’s suddenly not cool anymore, because ‘your’ band–you have to share them with other people. It’s not your band in the first place… I see the fans as my boss, as my employer, because they spend money on me and I can do this because of them, and I really am grateful for this. But this doesn’t mean they have a say in what kind of music I will make or not, because that’s something that comes from your heart… I make what I want to make.
You can listen to the entire interview at our partner website Vita In Musica.
July 18, 2016 | Categories: Heavy Metal, Interviews, Music News, Power Metal, symphonic metal | Tags: alissa white-gluz, Arch Enemy, charlotte wessels, delain, keyboards, martijn westerholt, moonbathers, Napalm Records, power metal, Queen, scandal, symphonic metal, the agonist, the miracle, within temptation | Leave a comment
Their influences range from Stravinsky to Manowar, and their keyboard-infused symphonic metal sets them apart from many other bands in the local scene.
The band formed in 2010 when the members found each other on Craigslist. The current lineup is Christopher “C.J.” McConnell on vocals, Elsthon Gomez on lead guitar, Josh Marines on bass, Marc Williams on keyboards and Mike Rodriguez on drums.
The Blog of Shredding got the chance to sit down with them and discuss a variety of topics. Here are some highlights.
On the origin of the band’s name:
“We thought it was pretty accessible,” says singer C.J. McConnell. “You could remember it. If you had some crazy name like–we were thinking of Elementasia or something. Well, it sounds great, but… how can you chant that? You know, that’s the thing for us too. We want our audience to interact with us as much as possible.”
On why they are unique:
“We each bring something different to the table,” says drummer Mike Rodriguez. “You have a drummer that is influenced by Motley Crue and Metallica, a guitarist who’s (influenced by) Opeth and Katatonia, C.J. with everything that he is. (laughs) And then John Williams (referring to the composer) over here… (laughs) Just like the blending of everything together, it’s just like the stars aligned. It’s something different.”
“I think that we can appeal to people outside the metal community as well,” adds keyboardist Marc Williams.
On what made them want to pursue music in the first place:
“When I was a boy, I heard this story about a show in Sao Paolo with Sepultura,” says Marines. “Like, they had such an awesome presence onstage, the fans killed some dude. And I was like, ‘Wow. That is serious.’ People are into this style. I want to be in this. I knew that’s my calling in life.”
“When I first joined NightSphere, (playing guitar) was kind of more like a hobby,” says Gomez. “But now with NightSphere, I could see myself making it as more of a career.
“Guitar DVDs with Elsthon Gomez,” adds McConnell. “Just wait for it.”
“Oh yeah, it’s gonna happen! Move aside, (Dream Theater guitarist) John Petrucci!”
On what would define success for them:
“Playing big stadiums. Honestly for me, if we played Wacken (Open Air Festival)–even like the small stage, the first band playing like at noon–I would be like ecstatic,” says Gomez.
“I’m gonna know when I make it when I’m sitting down to eat dinner at a steakhouse. I’ll be like cutting into my filet mignon, with a nice glass of wine. Expensive. And I just feel like a little tap on my shoulder, and then like I get up and I look into his face and it’s like (Manowar bassist and songwriter) Joey DeMaio, you know,” says Marines. “I mean, having respect from other top-notch guys that have been around. That’s when you know you make it. Your sales can be good and stuff, but if you have no respect from people who have already been there, then it doesn’t mean anything.”
“For me, it would be when I wake up in the morning, if I know that the only thing I have to do that day is sit at my computer or whatever and write music,” says Williams. “And I’m getting paid for it. That’s what I would like to do. When I do not have to worry about a day job, I’m done.”
You can hear their song “As We Are Told” below.